Star Trek: Corps of Engineers: The Art of the Comeback By GLENN GREENBERG

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Star Trek: Corps of Engineers: The Art of the Comeback By GLENN GREENBERG
After the events of The Art of the Deal, former tycoon Rod Portlyn was left destitute, and he's now, a year later, reduced to running archaeological digs. But when he discovers a bizarRe artifact, everything changes. Portlyn sees the deadly device as his means of regaining his wealth and power -- and also getting revenge on the crew of the da Vinci. And his þrst target is Domenica Corsi's father.... Soon, the S.C.E. þnds itself in a web of intrigue and revenge, as people close to the crew are killed, with the crew itself the next likely target

Dirty Little Secret By Jennifer Echols

Dirty Little Secret By Jennifer Echols
Dirty Little Secret By Jennifer Echols

I was being given the chance to do the one thing I wanted most in the world. The chance was presented to me by a guy so gorgeous, he turned my skin to fire when he touched me. And joining a band was the one thing I was most forbidden to do, the thing that would ruin my future forever.Eighteen-year-old Bailey has issues?and not just that she?s lying to her grandfather about playing fiddle in a Nashville bar. There?s how her younge

R sister Julie?s recording contract makes her family terrified that Bailey will mess the deal up. And why Bailey is acting out. And the way everyone seems mad at her, even Julie. Bailey?s parents don?t want her playing gigs at all, but when they leave her with her grandfather so they can tour with Julie, she lands a job playing old country songs in cheesy costumes at a local mall. That?s where she meets Sam. . . . Sam doesn?t plan to spend his life playing backup at the mall for his alcoholic dad. He intends to take his high school garage band to the big time, and when he hears Bailey play, he knows she?s what he wants. Bailey isn?t sure where she stands with this boy who has a lust for music and life, and who may or may not have a lust for her. And yet, suddenly, her life is no longer about what might have been, and a whole lot about what could be. . .


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